Schrader’s Mishima: A Life in Four Chapters (1985) unfolds as a hypnotic, boldly unconventional biopic that pieces together life, art and ideology into a striking portrait of a divided man’s inner psyche.
Tag: Review
Judy: A Film That Broke My Heart, Then Put it Back Together Again
A heartfelt review of Renée Zellweger’s stunning performance as Judy Garland in the biopic Judy (2019).
Center Stage: The Tragic Life of China’s Beloved Movie Star, Ruan Lingyu
Compelling in its craft, director Kwan’s Center Stage (1991) delves into the public and private life of legendary film star Ruan Lingyu, grappling with themes of identity, gender and stardom.
Poetry in Confinement: Exploring A Quiet Passion
Davies’ biopic reveals Dickinson’s world as both refuge and prison, where poetry becomes her only means of resistance.
The Dirt: Unpacking Mötley Crüe’s Rock Legacy
Today we’re starting a series of posts in which members of the Reel Talk editorial team discuss their favourite biopics from new and seasoned directors.
First up: There’s no era of rock quite like this one, so we’re diving into The Dirt (2019) to relive Mötley Crüe’s chaotic climb from misfit beginnings to heavy-metal infamy on the big screen.
I Am Legend (Francis Lawrence, USA, 2007) – Review
Jake Diamond reviews I Am Legend (2007) for the Practice of Film Criticism 2024.
The Blue Lagoon (Randall Kleiser, USA, 1980) – Review
Lily Stripe reviews The Blue Lagoon (1980) for the Practice of Film Criticism 2024.
Everything Everywhere All At Once (Daniel Scheinert & Daniel Kwan, USA, 2022) – Review
Fiola Odusote reviews Everything Everywhere All At Once (2022) for the Practice of Film Criticism 2024.
Perfect Days (2023) – An Evaluation
Discover the quiet brilliance of Wim Wenders’ ‘Perfect Days’ (2023) in Michael’s insightful essay.
Fallen Angels (Wong Kar-Wai, Hong Kong, 1991) – Review
Yu Hua reviews Fallen Angels (1991) for the Practice of Film Criticism 2024.
reeltalk0.movie.blog 