Sonia Naorozy discusses ‘We Live In Time’ as their favourite film for Valentine’s Day, taking us on a walk through some of the film’s iconic shooting spots.
Sonia Naorozy discusses ‘We Live In Time’ as their favourite film for Valentine’s Day, taking us on a walk through some of the film’s iconic shooting spots.
Sonia Naorozy discusses the ‘Handle With Care’ season at the Warwick Arts Centre and the special selection of short films screened as part of this season from the Coventry Phoenix Film Festival.
Schrader’s Mishima: A Life in Four Chapters (1985) unfolds as a hypnotic, boldly unconventional biopic that pieces together life, art and ideology into a striking portrait of a divided man’s inner psyche.
A heartfelt review of Renée Zellweger’s stunning performance as Judy Garland in the biopic Judy (2019).
Compelling in its craft, director Kwan’s Center Stage (1991) delves into the public and private life of legendary film star Ruan Lingyu, grappling with themes of identity, gender and stardom.
Davies’ biopic reveals Dickinson’s world as both refuge and prison, where poetry becomes her only means of resistance.
Today we’re starting a series of posts in which members of the Reel Talk editorial team discuss their favourite biopics from new and seasoned directors.
First up: There’s no era of rock quite like this one, so we’re diving into The Dirt (2019) to relive Mötley Crüe’s chaotic climb from misfit beginnings to heavy-metal infamy on the big screen.
Jake Diamond reviews I Am Legend (2007) for the Practice of Film Criticism 2024.
Lily Stripe reviews The Blue Lagoon (1980) for the Practice of Film Criticism 2024.
Fiola Odusote reviews Everything Everywhere All At Once (2022) for the Practice of Film Criticism 2024.