Davies’ biopic reveals Dickinson’s world as both refuge and prison, where poetry becomes her only means of resistance.
Tag: Review
The Dirt: Unpacking Mötley Crüe’s Rock Legacy
Today we’re starting a series of posts in which members of the Reel Talk editorial team discuss their favourite biopics from new and seasoned directors.
First up: There’s no era of rock quite like this one, so we’re diving into The Dirt (2019) to relive Mötley Crüe’s chaotic climb from misfit beginnings to heavy-metal infamy on the big screen.
I Am Legend (Francis Lawrence, USA, 2007) – Review
Jake Diamond reviews I Am Legend (2007) for the Practice of Film Criticism 2024.
The Blue Lagoon (Randall Kleiser, USA, 1980) – Review
Lily Stripe reviews The Blue Lagoon (1980) for the Practice of Film Criticism 2024.
Everything Everywhere All At Once (Daniel Scheinert & Daniel Kwan, USA, 2022) – Review
Fiola Odusote reviews Everything Everywhere All At Once (2022) for the Practice of Film Criticism 2024.
Perfect Days (2023) – An Evaluation
Discover the quiet brilliance of Wim Wenders’ ‘Perfect Days’ (2023) in Michael’s insightful essay.
Fallen Angels (Wong Kar-Wai, Hong Kong, 1991) – Review
Yu Hua reviews Fallen Angels (1991) for the Practice of Film Criticism 2024.
Superman (Richard Donner, USA, 1978) – Review
Harry Molloy reviews Superman: the Movie (1978) for the Practice of Film Criticism 2024.
Tangled (Nathan Greno & Byron Howard, USA, 2010) – Review
Ying Qi reviews Tangled (2010) for the Practice of Film Criticism 2024.
One Hour Photo (Mark Romanek, USA, 2002) – Review
Madeleine Lear reviews One Hour Photo (2002) for the Practice of Film Criticism 2024.
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