Fifteen years after its release, The Social Network (2010) remains a gripping biopic of ambition, alienation, and the origins of a platform that would go on to reshape – and outgrow – its own creator.
Fifteen years after its release, The Social Network (2010) remains a gripping biopic of ambition, alienation, and the origins of a platform that would go on to reshape – and outgrow – its own creator.
Davies’ biopic reveals Dickinson’s world as both refuge and prison, where poetry becomes her only means of resistance.
This review explores how, with striking honesty and emotional flair, Rocketman (2019) reimagines Elton John’s journey toward self-acceptance under the light of stardom.
Moving on to our second and final post of favourite ‘Seasonal Horror’ films from our editorial team. This post discusses films from the beginning of October, to Halloween, Late Autumn and the Christmas season.
A vivid portrait of Brian Clough’s fiery talent, The Damned United (2008) blends a magnetic performance with a return to the gritty heart of 1970s football.
The first of a series of two posts in which members of the Reel Talk editorial team discuss their favourite Seasonal Horror films. The first of our posts discusses films ranging from Valentine’s Day to Spring, Summer and the beginning of the Autumn Season.
Today we’re starting a series of posts in which members of the Reel Talk editorial team discuss their favourite biopics from new and seasoned directors.
First up: There’s no era of rock quite like this one, so we’re diving into The Dirt (2019) to relive Mötley Crüe’s chaotic climb from misfit beginnings to heavy-metal infamy on the big screen.
Gwyn Thomas considers the importance of Dogma 25.
The final results of Warwick Film and TV’s Alternative Oscars for 2025.
As we launch the poll for this year’s Alternative Oscars, our editorial team recommend their favourite films from the past year.