Issy Smith examines sex on screen and the objectification of women in Akira Kurosawa’s Rashomon (1950). Her analysis proves why it is crucial to engage with depictions of sex on screen in films firmly established within the canon from a racialised and feminist lens.
With only a few more sleeps until Santa arrives, find out the results of our department-wide poll for best Christmas film!
Looking for new content but don’t know where to find it? Have a read here for some great streaming service suggestions!