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Discussion of film, television and related media from Undergraduate students at the University of Warwick's Department of Film and Television Studies.

Author: Harry Russell

Gremlins 2: The New Batch – Review

Posted on 10th Nov 202110th May 2022 by Harry Russell

Harry Russell reviews Gremlins 2 for the Practice of Film Criticism 2021.

The Reel Talk Editorial Team’s Favourite Horror Subgenres – Part 2

Posted on 29th Oct 202129th Oct 2021 by Harry Russell

Too spooky to be contained to just one post, the editorial team returns with more subgenre recommendations.

The Reel Talk Editorial Team’s Favourite Horror Subgenres – Part 1

Posted on 29th Oct 202129th Oct 2021 by Harry Russell

The Reel Talk team shares their opinions on the best subgenres to pick from this Halloween if you’re looking for a scary treat.

‘Love Hurts, Love Scars…’ – On Rob Zombie’s Halloween II

Posted on 28th Oct 202128th Oct 2021 by Harry Russell

Just in time for the scariest day of the year, Dominic Thornton returns to discuss a much maligned entry in the Halloween franchise, making his case for why it’s one of the most emotionally affecting horror films in recent memory.

Paterson – Podcast

Posted on 27th Oct 202110th May 2022 by Harry Russell

We return to our series of Practice of Film Criticism podcasts as Oliver Hargreaves and José Arroyo discuss Paterson.

Gremlins 2: The New Batch – Podcast

Posted on 14th Oct 202110th May 2022 by Harry Russell

The first podcast for Practice of Film Criticism 2021 sees Harry Russell and José Arroyo talking about Gremlins 2: The New Batch.

A Look at Edward Yang’s A Brighter Summer Day

Posted on 14th May 202114th May 2021 by Harry Russell

Owais Azam explores the style and themes of Edward Yang’s A Brighter Summer Day.

Mommy: An Unconventional Masterpiece

Posted on 19th Jan 202119th Jan 2021 by Harry Russell

Daniel Robery takes a look at Mommy, specifically considering the interplay between cinematography and script and how they create a ‘spectacular’ experience.

Blackhat and Michael Mann’s Digital World

Posted on 7th Aug 2020 by Harry Russell

Dominic Thornton appraises the digital cinema of Michael Mann, focusing on the use of digital photography and themes of technology in Blackhat.

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